ALL IN MIND

                       ALL iN MiND


Genre: Nu Metal

City: Granada

Country: Spain

Year of creation: 2016

Lyrical themes: Human Behavior, Society, Psychology

Current label : N/A

LINKS :       Facebook  Instagram  Youtube  Website 

MEMBERS :

 

Yuly Weyler -  Clean vocals

Joseph Ghard - Growls, rap

Chema Sillero - Bass

Alex Baena - Guitar

David Torres - Guitar

Miguel Burgos - Drums 

YULY WEYLER - ALL IN MIND

JOSEPH GHARD - ALL IN MIND

CHEMA SILLERO - ALL IN MIND

ALEX BAENA - GUITAR

DAVID TORRES - GUITAR

MIGUEL BURGOS - DRUMS

BIO :

ALL IN MIND FULL EP

All iN Mind is a Nu Metal band from Granada (Spain) founded by the vocalist Joseph Ghard and the bassist Chema Sillero.

By the end of 2016, our two guys come together to start a solid music proyect.

After been decided a work methodology, they start to looking for committed musicians

Fortunally, those musicians joined to the band shortly, like the guitarist Alex Baena and his “riff factory”, David Torres and his maestry on the musical arrangements , and shortly after the talented vocalist Yuly Weyler.

The band keep looking for a new drummer.
Growls, rap and clean female vocals intermingle with stylish, powerful and varied metal melodies. A mixture that you shouldn´t miss!

Please, enjoy our EP and leave us a comment:

https://allinmind.bandcamp.com/releases

Follow us on :

https://www.instagram.com/allinmindmetal

https://www.facebook.com/Allinmindmetal/

https://twitter.com/Allinmindmetal

https://www.reverbnation.com/allinmind



—————————–ESP————————————
EL COMIENZO DE UN VIAJE FASCINANTE!



All iN Mind es una banda Granadina de Nu Metal fundada por el vocalista Joseph Ghard y el bajista Chema Sillero.

A finales de 2016 estos 2 músicos granadinos se reunen para empezar un proyecto sólido.

Tras haber trazado una metodología de trabajo, se ponen manos a la obra en busca de músicos comprometidos.

Afortunadamente se van uniendo a la banda músicos como el guitarrista Alex Baena y su “fábrica de riffs”, David Torres y su maestría en los arreglos , y poco después la talentosa vocalista Yuly Weyler.

La banda sigue en búsqueda de baterista al cual se anunciará en breve.

 

Guturales, rap y voces femeninas se entremezclan con variadas, contundentes y estilosas melodias. Sin duda es una mezcla que no puedes perderte!








 
Ya podeis disfrutar de nuestro primer EP :

https://allinmind.bandcamp.com/releases


Puedes seguirnos en :

https://www.instagram.com/allinmindmetal

https://www.facebook.com/Allinmindmetal/

https://twitter.com/Allinmindmetal

https://www.reverbnation.com/allinmind

INFERNAL OUTCRY

                           

                        INFERNAL OUTCRY

                                         


Genre: Progressive  Death  Metal

City:  Hobart, Tasmania

Country: Australia

Year of creation: 2011

Lyrical themes:  Death

Current label :   Unsigned / Independent

LINKS :    Facebook    Website

 

 

MEMBERS :

 

Liana Eriksen- Vocals

Dave Lawson - Guitars

Daniel Hill - Guitars

Paul Sharp - Bass

Luke Wright - Drums

BIO : 

Infernal Outcry is a technical and progressive extreme metal band based in Hobart, Tasmania. Punishing drums, maliciously methodical guitars, and deathly screams lure the listener into a diverse musical landscape of weighty, multi-textured, and brooding compositions. Drawing on such influences as Death, Dream Theater, Cynic, and Meshuggah, Infernal Outcry’s unique twist of contemporary progressive death metal is a fusion of complex rhythms and sinister melodies teeming with intensity.

Infernal Outcry’s debut, Mass Extinction Requiem I, produced by Joe Haley (Psycroptic), is due for release in March 2016, thanks to a grant from Tasmanian Regional Arts Fund. The band was also awarded a grant from Arts Tasmania to produce a music video with James Harmsworth of Harmless Pictures, who won best film clip at the Australian Metal Awards in 2009 as director of Psycroptic’s “Initiate” music video.

Since early 2012, Infernal Outcry has played many live shows in Tasmania, Victoria, and New South Wales. These performances have been very well received as a result of the band’s exciting and engaging live show. The biggest highlights to date include playing at Faux Mo (part of the MONA FOMA festival) in January 2014, at Falls Music & Arts Festival in December 2012, and supporting Thy Art Is Murder on the “Hate Across Tasmania” tour in March 2013. Infernal Outcry has also shared the stage with numerous other well known metal bands including Psycroptic, Mephistopheles, Black Majesty, Synthetic Breed, and Intense Hammer Rage.

Infernal Outcry began playing together in late 2010 and features Bachelor of Music graduates David Lawson (guitar), Daniel Hill (guitar), and Liana Eriksen (vocals). Infernal Outcry’s rhythm section consists of current Bachelor of Music student Paul Sharp (bass), who also plays bass in progressive metal band Create the Crayon, and the versatility of Luke Wright (drums), who previously played with metal band Sinnister Valley.

Regarding her lyrics, Liana says, “one of the main themes I am interested in exploring is the emotional conflict arising from the awareness of our mortality, particularly in relation to the unsustainable and artificial nature of our global civilisation and its negative impacts on the natural world. The lyrics are an expression of the darker emotions that are experienced by humanity and attempt to provide the listener and creator with a form of catharsis by aiming to develop a deeper understanding of the world around us.”

MARTYRIUM

                                              MARTYRIUM
                                        



Genre: Melodic Black/ Death Metal

City: Luqa

Country: Malta

Year of creation: 1999

Lyrical themes:  Acient magic, Mytology, Satanic Philosophy

Current label : American Line Productions / Witchcraft Records

 LINKS :    Facebook     Website 

 

 

 

MEMBERS :

 

 

Obscure - Vocals 

Count Mortem - Guitars  

Sherath - Guitars  

Úmarth - Synths & Programming 

 

 

BIO :

 

 Martyrium was formed by Count Mortem in 1999 who conveyed his ideas into a mix of black/death metal riffs. Alongside Úmarth who contributed a deluge of sinister orchestrations focused on bringing the much desired dark atmospheric tone.
With Sherat's shredding and Obscure's diabolical growls Martyrium breeds a particular sound that makes the crowd conceive disquieting notions. Portraying the image of the traditional black metal Subculture, they appear on stage behind corpsepaint as a female fronted band infusing an ominous mood.
In the year 2000 Martyrium bestowed an arsenal of authentic tracks at a local venue, introducing the black metal genre to the Maltese metal scene, summoning a captivating response for it's controversiality. The pursuing year the first album was recorded in Temple Studios, entitled 'Withering In Voluptuous Embrace'. The release consisted of highly dense and multilayered symphonic black metal, moving from morbid ambiences to vitriolic, violent elements.
Aspired to get recognition abroad, the band approached foreign promoters presenting their material witch attracted the South American label 'American Line Productions'. Within a concise time extent, they developed and sold a sufficient number of Martyrium CDs amongst their batch of followers. Thus American Line Productions decided to open a new label 'Witchcraft records' pioneered by Martyrium, that concentrated more on black metal bands. Manifesting their presence to magazines such as 'Displeased' , 'Nuclear Blast' and others.
Amid the year 2004, a French promoter set up the bands first tour, ranging from 'Negasonic Music Club' in Belgium, Luxemburg and ending their odyssey in Northern France, sharing the stage with Morrigu, Earaction and other supporting bands. The positive feedback from the throng of fiends concluded the first tour a success.
The exceeding gigs included the Greek legends 'Rotting Christ' as well as the brutal German death metal band 'Purgatory'.
By summer's end of the year 2005 Martyrium experienced another tour in central Europe, welcomed with even more enthusiasm than the previous year, they celebrated the second assault entitled 'Carnage Lit By Darkness'. This time approaching a more redolent, belligerent barrage of sound. The Martyrium legion commenced from Germany, re-infesting France, followed by Italy and ending the carnage in 'Club Dynamo' in Switzerland alongside 'Eluveitie' , 'Black Messiah' , 'Daargesin' , 'Cruachan' and 'Ivenberg'.
2006 endured the unleash of Martyrium's third opus ' Awakening The Ancient' which continued to emblaze their trail of desecrated conventions into the orifice of society. The track 'Temple Of The Unknown Knowledge' was featured on the Valletta 2018 video, commissioned by the Valletta 2018 Foundation, representing the Maltese metal scene in the European Capital of Culture(ECoC).

ANGIST

 
                                                  ANGIST

 

Genre: Death Metal

City:  Reykjavik

Country: Iceland

Year of creation: 2009

Lyrical themes:  Destructive behabior, degeneration, human mistery.

 

Current label : Unsigned

 

 

 LINKS :   Reverbnation   Youtube   Myspace     Website       Facebook
                  
                  Shop                    Twitter       Lastfm








LINE UP:

Edda Tegeder Óskarsdóttir - Vocals/Guitar

Gyða Hrund Þorvaldsdóttir - Guitar
 
Haraldur Ingi Shoshan - Bass
 
Tumi Snær Gíslason - Drums







BIO :

 “This is Angist. It’s dark, thrashy, black metal and it’s bloody brilliant. You will struggle not to headbang to their music” www.thrashhits.com

From Reykjavík, Iceland hails the deathmetal quartet Angist, formed in 2009 by Edda and Gyða with Halli, Edda’s brother later joining in as bassplayer and with few changes in drummers.
Angist released their two song demo in summer 2010 and a year later they had accomplished to play many high profile shows such as Iceland Airwaves, opening act for Heaven Shall Burn and L’esprit du Clan and get 2nd place in the Wacken Metal Battle (Icelandic log). Many interviews and reviews in magazines, newspapers, webzines and radio followed and the year 2011 ended with the release of Angist’s EP, Circle of Suffering, and a tour around France as an opening act for L’esprit du Clan.
In the year 2012 Angist will for example record their first full-length album, will head out for another tour in France and many other exciting things!

"Petrifyingly powerful, their relentless, atmosphere-steeped and blackened thrust should take its rightful place amongst DM’s kvlt elite". –Metal Hammer

"Arguably, talk of the scene is Angist, who stick out not only due to the savage female vocals but the fact they might be serving up the most evil sounding death metal going right now. It’s plenty cold too, giving them a special edge that will certainly make people stick around and anticipate future endeavors". -Reykjavik Grapevine

Releases:
Angist Demo 2010
Circle of Suffering EP 2011

Arch Enemy

ARCH ENEMY


Genre: Melodic death metal / Thrash metal

City: Halmstad

Country: Sweden 

Year of creation: 1995

Lyrical themes:   Anti-religion, Rebellion, Society

 

 

 

 

 

 Current label   :Century Media Records

 

 LINKS :   Reverbnation     Twitter   Myspace     Website       Facebook


 LINE UP:
 
Angela Gossow - Vocals                                                    
 
Michael Amott - Guitar
 
Christopher Amott - Guitar
 
Sharlee D'Angelo - Bass
 
Daniel Erlandsson - Drums


BIO :
 




“I think we took a ‘more is more’ approach to this record.”

So says ARCH ENEMY guitarist Michael Amott when referring the band’s new platter of mayhem, Khaos Legions. Not that they’ve ever tackled any aspects of their career with a half-baked attitude, but the approach was particularly important after four years of creative silence.

The band has been far from quiet since the 2007 release of Rise... Of The Tyrant, of course. During the extensive tour cycle for the album, ARCH ENEMY saw fit to preserve their trademark sonic violence on the live 2008 record, Tyrants Of The Rising Sun, returning to the studio a year later to re-record some of their early work and live fan favourites for The Root Of All Evil. Amott will be the first to tell you, however, that he and his bandmates have been waiting a long time to create something brand new from the ground up.

“Root Of All Evil was cool to do,” Amott insists, “but it wasn’t really creative at all. None of that material was new to us. We were itching to get into the studio and record all the things we’ve been talking about backstage for the last few years. We knew we had to come back with something really good because it’s been four years since the Rise Of The Tyrant album. We’ve kept the fans waiting long enough.”

Khaos Legions was well worth the wait. A solid 14 tracks – 11 songs and three instrumental passages – it’s an album that immediately recalls Anthems Of Rebellion (2003) and Doomsday Machine (2005), considered up to this point to be ARCH ENEMY’s two strongest outings to date. Loaded with the Amott brothers’ trademark guitar shred, spearheaded by vocalist Angela Gossow’s instantly recognizable hell-hath-no-fury delivery, all backed by the Sharlee D’Angelo / Daniel Erlandsson bass / drum high energy stomp, Khaos Legions features the band’s trademark extreme metal execution coupled with some eyebrow-raising surprises along the way.

Eight studio albums and 15 years into their career, Khaos Legions is ARCH ENEMY’s iron “You are here!” stamp that hits like a ton of bricks.

“This album is kind of nuts,” says Amott. “It’s a very exciting record for me because it encapsulates everything that Arch Enemy is about. It was written over a four year period, so I think that’s why it’s got a lot of depth and girth to it”

Simply put, no diehard ARCH ENEMY fan should go away dissatisfied. The tracks ‘Yesterday Is Dead And Gone’, ‘Under Black Flags We March’, ‘Thorns In My Flesh’ and ‘City Of The Dead’ are examples of the five piece wrecking crew people have come to expect. On the other side of the coin, ‘Bloodstained Cross’ features Michael and Chris Amott exploring new shred-head territory, while ‘Cruelty Without Beauty’, ‘Cult Of Chaos’ and the scathing ‘Vengeance Is Mine’ feature some of the most aggressive work from the band to date.

In addition, ‘Through The Eyes Of A Raven’ is easily the band’s most adventurous song in years; progressive and dark, what Amott feels “has a Scandinavian feel to it, with a melancholic Nordic thing going on in the chorus.” Certainly a different side of the band, yet they retain every ounce of trademark aggression.

The biggest surprise of all, however, is the bordering-on-death-rock ‘No Gods, No Masters’, a definite echo of ARCH ENEMY’s anthem ‘We Will Rise’ that is guaranteed to raise the ire of some fans even as it is embraced by others.

Gossow sums Khaos Legions up in one sentence, unapologetic as always: “We went all over the place with this album. Take it or leave it.”